{"id":19115,"date":"2022-02-23T13:59:38","date_gmt":"2022-02-23T12:59:38","guid":{"rendered":"https:\/\/www.chassitech.com\/gallery\/"},"modified":"2025-09-24T17:24:41","modified_gmt":"2025-09-24T15:24:41","slug":"gallery","status":"publish","type":"page","link":"https:\/\/www.chassitech.com\/en\/gallery\/","title":{"rendered":"Gallery"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table class=\"TabGalerie\">\n<tbody>\n\n<tr>\n<td><div style=\"width:auto\"><iframe width=\"560\" height=\"315\" src=\"\/\/embed.francetv.fr\/bb5ac572fce893e64c4683514a38e0ae\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"\"><\/iframe><\/div>\n<\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Notre-Dame de Paris Restoration \u2013 The Virgin and Child painting<\/strong>\nRecreated after the Notre-Dame fire, the painted canvas of the Virgin and Child\u2014originally designed in the 19th century by architect Viollet-le-Duc\u2014has been restored to its original place in the cathedral\u2019s oculus. To preserve this exceptional work, a specially crafted circular self-tensioning wooden stretcher, 193 cm in diameter and 41 mm thick, was developed to ensure the canvas remains perfectly taut over time, even in its challenging location more than 30 metres high, exposed between the cathedral\u2019s interior atmosphere and the air beneath the roof. \n<\/td>\n\n<\/tr>\n\n<tr>\n<td><div style=\"width:auto%\"><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uSHTbnW__Mc?si=6b0YYfzSlSOysNy1&#038;start=56\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"><\/iframe><\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Documentary on the restoration of works by Simon Hanta\u00ef by Aur\u00e9lia Chevalier for the Fondation Louis Vuitton<\/strong><br\/>A \u2019BAL4\u2019 aluminium stretching frame was used during the restoration process.<\/td>\n<\/tr>\n\n<tr>\n<td><div style=\"width:auto\"> <img decoding=\"async\" src=\"https:\/\/www.chassitech.com\/wp-content\/uploads\/bati-depose-volets-orgue-perpignan.jpg\" alt=\"Removal of the organ shutters at Perpignan Cathedral\"\/><\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Removal of the organ shutters at Perpignan Cathedral<\/strong><br\/>Custom-built dismantling frame and rolling structures designed for the operation to remove the organ shutters.<br\/>Photo credits : \u00a9<a href=\"https:\/\/www.culture.gouv.fr\/regions\/drac-occitanie\/Actualites\/Actualite-a-la-une\/Une-premiere-etape-dans-la-restauration-des-volets-d-orgue-de-la-cathedrale-de-Perpignan?fbclid=IwY2xjawG0MNZleHRuA2FlbQIxMQABHaJKiHC4ZQ8wlg2QSloZS0Q-odVbxdCwCrwgO1KNPYo_nLU3Ae3yOnKp5g_aem_OF6wMaatFxGJZ9ndNTvvkQ\" target=\"_blank\" rel=\"noopener\">Article Culture.gouv<\/a>\n<\/td>\n<\/tr>\n\n<tr>\n<td><div style=\"style=\" width:60=\"\"><img decoding=\"async\" src=\"https:\/\/www.chassitech.com\/wp-content\/uploads\/bal4-nec64-min.png\" alt=\"bal 4 nec 64\"\/><\/div>\n<\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Restoration at the CICRP of Pierre Bainville&#8217;s artwork <em>L&#8217;Annonciation <\/em>(1692\u201393) for the city of Martigues.<\/strong><br\/>Use of a \u2019BAL4\u2019 aluminium stretching frame for large formats, followed by a Aluminium \u201cFloating stretcher\u201d NEC64.<br\/>Photo credits : \u00a9<a href=\"https:\/\/www.martiguesbouge.fr\/informations-transversales\/actualites\/patrimoine-restaure-le-tableau-de-lannonciation-retrouve-leglise-saint-genest-24487\" target=\"_blank\" rel=\"noopener\">Article on martiguesbouge.fr<\/a>\n<\/td>\n\n<\/tr>\n\n\n<tr>\n<td><div style=\"width:auto\"><iframe title=\"Messa in teca del Cartone di Raffaello\" src=\"https:\/\/player.vimeo.com\/video\/402250698?h=06b9f5da1e&amp;dnt=1&amp;app_id=122963\" width=\"430\" height=\"242\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Installation of the cartoon of<em> Raphael\u2019s School <\/em>of Athens in the Pinacoteca Ambrosiana (Milan)<\/strong><br\/>Raphael\u2019s drawing was restored in 2019 and exhibited as part of the celebration of the 500<sup>th<\/sup> anniversary of the artist\u2019s death. The cartoon was stretched on a NEC80 self-tensioning aluminium floating stretcher manufactured by Chassitech.\n<\/td>\n\n<\/tr>\n<tr>\n<td><div style=\"width:auto%\"><iframe title=\"&#039;El gran dia de Girona&#039; de Ramon Mart\u00ed i Alsina\" width=\"430\" height=\"323\" src=\"https:\/\/www.youtube.com\/embed\/XM0d-7jiYx4?start=315&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Documentary on the restoration of the painting <em>El gran dia de Girona<\/em> by Ramon Mart\u00ed Alsina<\/strong><br\/>The canvas was stretched on a NEC80 aluminium floating stretcher of approximately 5 \u00d7 11 meters manufactured by Chassitech.<\/td>\n<\/tr>\n\n<tr>\n<td><div style=\"width:auto\">    <img decoding=\"async\" src=\"\/wp-content\/uploads\/musee-brest.png\" alt=\"canvas Mus\u00e9e des Beaux Arts of Brest\"\/><\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Canvas restoration at the Mus\u00e9e des Beaux-Arts de Brest<\/strong><br\/>Use of a floating stretcher manufactured by Chassitech.<br\/>Credit : \u00a9<a href=\"https:\/\/www.facebook.com\/museebrest\/photos\/pcb.1903686096434382\/1903676123102046\" target=\"_blank\" rel=\"noopener\">Facebook Page of Mus\u00e9e des Beaux-Arts de Brest<\/a>\n<\/td>\n<\/tr>\n\n<tr>\n<td><div style=\"width:auto\"><iframe title=\"Le Drapeau et l&#039;Arm\u00e9e - Restauration et d\u00e9placement du tableau monumental de Paul-Alexandre Protais\" width=\"430\" height=\"242\" src=\"https:\/\/www.youtube.com\/embed\/bTx8Qjo7QIk?start=461&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Restoration and relocation of the monumental painting <em>Le Drapeau et l\u2019Arm\u00e9e<\/em> by Paul-Alexandre Protais<\/strong><br\/>La toile de 325 cm x 840 cm a \u00e9t\u00e9 tendue sur un ch\u00e2ssis Flottant aluminium\/bois NEC80 fabriqu\u00e9 par Chassitech.<\/td>\n<\/tr>\n\n<tr>\n<td><div style=\"width:auto\"><iframe title=\"Restauration de &quot;Saint Laurent, martyr&quot; : R\u00e9int\u00e9gration (4\/4)\" width=\"430\" height=\"242\" src=\"https:\/\/www.youtube.com\/embed\/x-eDaPmhQRM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Restoration of <em>Saint-Laurent, martyr<\/em> for the Mus\u00e9e d\u2019Orsay<\/strong><br\/>The artwork was restored using an overhead crane manufactured by Chassitech.<\/td>\n<\/tr>\n<tr>\n<td><div style=\"width:70%\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/origine-du-monde-maxihook.png\" alt=\"hanging origine du monde maxihook\"\/><\/div>\n<\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Hanging of the l\u2019<em>Origine du Monde<\/em> de Gustave Courbet<\/strong><br\/>Hanging the painting with Chassitech\u2019s Maxihook.<br\/>Photo credits : \u00a9<a href=\"https:\/\/france3-regions.blog.francetvinfo.fr\/vallee-de-la-loue\/2014\/06\/05\/cet-obscur-de-desirs-autour-de-lorigine-du-monde-des-regards-et-de-la-subtilite.html\" target=\"_blank\" rel=\"noopener\">Article France 3 R\u00e9gion<\/a><\/td>\n<\/tr>\n\n<tr>\n<td><div style=\"width:auto\"><iframe title=\"Restauration de &quot;Saint Laurent, martyr&quot; : Support (3\/4)\" width=\"430\" height=\"242\" src=\"https:\/\/www.youtube.com\/embed\/J1raSZEfMR8?start=23&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Restoration of <em>Saint-Laurent, martyr<\/em> for the Mus\u00e9e d\u2019Orsay (support)<\/strong><br\/>Canvas stretched on a NEC50 floating aluminium stretcher manufactured by Chassitech.<\/td>\n<\/tr>\n<tr>\n<td><div style=\"width:auto\"><iframe title=\"Accrochage des \u0153uvres de l\u2019exposition \u00ab Autoportraits du mus\u00e9e d\u2019Orsay \u00bb\" width=\"430\" height=\"242\" src=\"https:\/\/www.youtube.com\/embed\/K4C6N0SXMxA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Hanging the exhibits from <em>Autoportraits du Mus\u00e9e d\u2019Orsay<\/em> at the Mus\u00e9e des Beaux-Arts of Quimper<\/strong><br\/>Installation of the exhibits with Chassitech hanging systems.\n<\/td>\n<\/tr>\n<tr>\n<td><div style=\"width:80%\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/chassis-toile-saint-maximin.png\" alt=\"Canvas stretchers saint-maximin church\"\/>\n<\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Two imposing oil paintings classified as historical monuments come back to the church of Saint-Maximin<\/strong><br\/>The 7 x 3 m canvases were stretched on a NEC80 shaped aluminkium stretcher manufactured by Chassitech.<br\/>Credit: \u00a9<a href=\"https:\/\/www.republicain-lorrain.fr\/culture-loisirs\/2020\/11\/14\/les-deux-toiles-ont-retrouve-leur-place-a-l-eglise-saint-maximin\" target=\"_blank\" rel=\"noopener\">article and video on Le R\u00e9publicain Lorrain<\/a> \n<\/td>\n<\/tr>\n<tr>\n<td><div style=\"width:auto\"><iframe title=\"Au Louvre, L\u00e9onard de Vinci en majest\u00e9\" width=\"430\" height=\"242\" src=\"https:\/\/www.youtube.com\/embed\/IBohSJ_Ah2M?start=21&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Installation of the exhibits for the Leonardo da Vinci exhibition at the mus\u00e9e du Louvre<\/strong>\n<br\/>On the occasion of the 500th anniversary of the death of Leonardo da Vinci, the Louvre has dedicated an exhibition to the Italian painter. Use of a Chassitech &#8220;Niveau reporter&#8221; trace and level tool during installation. \n<\/td>\n<\/tr>\n<tr>\n<td><div style=\"width:80%\"><img decoding=\"async\" src=\"https:\/\/www.chassitech.com\/wp-content\/uploads\/Recolement-blog-770x500-1.png\" alt=\"Bridge crane ch\u00e2teau de Versaille\"\/>\n<\/div><\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Ten-yearly review of the collections at the Ch\u00e2teau de Versailles<\/strong>\n<br\/>Use of a <a href=\"https:\/\/www.chassitech.com\/en\/product\/bridge-crane\/\">Chassitech bridge crane<\/a> to carry out condition reports on very large format artwork in the storerooms.<br\/>Credit : \u00a9<a href=\"http:\/\/www.lescarnetsdeversailles.fr\/2020\/01\/grands-formats\/\" target=\"_blank\" rel=\"noopener\">article on Les Carnets de Versailles<\/a> \n<\/td>\n<\/tr>\n<tr>\n<td><div style=\"width:auto\"><iframe title=\"Restauration du tableau Alfred Herter (1871-1950), &amp;quot;Le d&amp;eacute;part des poilus, ao&amp;ucirc;t 1914&amp;quot;\" src=\"https:\/\/player.vimeo.com\/video\/119534305?h=60ffcf2aa7&amp;dnt=1&amp;app_id=122963\" width=\"430\" height=\"325\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/td>\n<td style=\"vertical-align: middle !important; width:50%\"><strong>Restauration du tableau d&#8217;Alfred Herter (1871-1950)<\/strong><br\/>Ch\u00e2ssis NEC80 pour <em>&#8220;Le D\u00e9part des poilus, ao\u00fbt 1914&#8221;<\/em> d&#8217;Alfred Herter, \u00e0 la Gare de l\u2019Est 4,4 x 12 m\n<\/td>\n<\/tr>\n\n<\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Notre-Dame de Paris Restoration \u2013 The Virgin and Child painting Recreated after the Notre-Dame fire, the painted canvas of the Virgin and Child\u2014originally designed in the 19th century by architect Viollet-le-Duc\u2014has been restored to its original place in the cathedral\u2019s oculus. To preserve this exceptional work, a specially crafted circular self-tensioning wooden stretcher, 193 cm [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-19115","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.chassitech.com\/en\/wp-json\/wp\/v2\/pages\/19115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chassitech.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.chassitech.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.chassitech.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chassitech.com\/en\/wp-json\/wp\/v2\/comments?post=19115"}],"version-history":[{"count":2,"href":"https:\/\/www.chassitech.com\/en\/wp-json\/wp\/v2\/pages\/19115\/revisions"}],"predecessor-version":[{"id":23729,"href":"https:\/\/www.chassitech.com\/en\/wp-json\/wp\/v2\/pages\/19115\/revisions\/23729"}],"wp:attachment":[{"href":"https:\/\/www.chassitech.com\/en\/wp-json\/wp\/v2\/media?parent=19115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}