Gallery

	Notre-Dame de Paris Restoration – The Virgin and Child painting Recreated after the Notre-Dame fire, the painted canvas of the Virgin and Child—originally designed in the 19th century by architect Viollet-le-Duc—has been restored to its original place in the cathedral’s oculus. To preserve this exceptional work, a specially crafted circular self-tensioning wooden stretcher, 193 cm in diameter and 41 mm thick, was developed to ensure the canvas remains perfectly taut over time, even in its challenging location more than 30 metres high, exposed between the cathedral’s interior atmosphere and the air beneath the roof.
	Documentary on the restoration of works by Simon Hantaï by Aurélia Chevalier for the Fondation Louis Vuitton A ’BAL4’ aluminium stretching frame was used during the restoration process.
	Removal of the organ shutters at Perpignan Cathedral Custom-built dismantling frame and rolling structures designed for the operation to remove the organ shutters. Photo credits : ©Article Culture.gouv
	Restoration at the CICRP of Pierre Bainville’s artwork L’Annonciation (1692–93) for the city of Martigues. Use of a ’BAL4’ aluminium stretching frame for large formats, followed by a Aluminium “Floating stretcher” NEC64. Photo credits : ©Article on martiguesbouge.fr
	Installation of the cartoon of Raphael’s School of Athens in the Pinacoteca Ambrosiana (Milan) Raphael’s drawing was restored in 2019 and exhibited as part of the celebration of the 500th anniversary of the artist’s death. The cartoon was stretched on a NEC80 self-tensioning aluminium floating stretcher manufactured by Chassitech.
	Documentary on the restoration of the painting El gran dia de Girona by Ramon Martí Alsina The canvas was stretched on a NEC80 aluminium floating stretcher of approximately 5 × 11 meters manufactured by Chassitech.
	Canvas restoration at the Musée des Beaux-Arts de Brest Use of a floating stretcher manufactured by Chassitech. Credit : ©Facebook Page of Musée des Beaux-Arts de Brest
	Restoration and relocation of the monumental painting Le Drapeau et l’Armée by Paul-Alexandre Protais La toile de 325 cm x 840 cm a été tendue sur un châssis Flottant aluminium/bois NEC80 fabriqué par Chassitech.
	Restoration of Saint-Laurent, martyr for the Musée d’Orsay The artwork was restored using an overhead crane manufactured by Chassitech.
	Hanging of the l’Origine du Monde de Gustave Courbet Hanging the painting with Chassitech’s Maxihook. Photo credits : ©Article France 3 Région
	Restoration of Saint-Laurent, martyr for the Musée d’Orsay (support) Canvas stretched on a NEC50 floating aluminium stretcher manufactured by Chassitech.
	Hanging the exhibits from Autoportraits du Musée d’Orsay at the Musée des Beaux-Arts of Quimper Installation of the exhibits with Chassitech hanging systems.
	Two imposing oil paintings classified as historical monuments come back to the church of Saint-Maximin The 7 x 3 m canvases were stretched on a NEC80 shaped aluminkium stretcher manufactured by Chassitech. Credit: ©article and video on Le Républicain Lorrain
	Installation of the exhibits for the Leonardo da Vinci exhibition at the musée du Louvre On the occasion of the 500th anniversary of the death of Leonardo da Vinci, the Louvre has dedicated an exhibition to the Italian painter. Use of a Chassitech “Niveau reporter” trace and level tool during installation.
	Ten-yearly review of the collections at the Château de Versailles Use of a Chassitech bridge crane to carry out condition reports on very large format artwork in the storerooms. Credit : ©article on Les Carnets de Versailles
	Restauration du tableau d’Alfred Herter (1871-1950) Châssis NEC80 pour “Le Départ des poilus, août 1914” d’Alfred Herter, à la Gare de l’Est 4,4 x 12 m